For Whom The Bell Tolls
When reading an Ernest Hemingway novel, one must try very hard to focus on the joy and encouragement found in the work. is full of love and beauty, but is so greatly overshadowed by this lingering feeling of doom--a feeling that does not let you enjoy reading, for you are always waiting for the let down, a chance for human nature to go horribly awry. This feeling is broken up into three specific areas. In Ernest Hemingway's novel, , humanity is exploited through brutal violence, unnecessary courage, and hopeless futility. Hemingway has the uncanny gift of imagery, and he possesses a brilliant mastery of the English language. He is adept at manipulating words and weaving complex sentences; ...
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on the ground, he looked up at the man who had hit him and then shut his eyes and crossed his hands on his chest, and lay there beside Don Anastasio as though he were asleep. The man did not hit him again and he lay there and he was still there when they picked up Don Anastasio and put him with the others in the cart that hauled them all over to the cliff where they were thrown over that evening with the others after there had been a cleaning up in the Ayuntamiento." (Hemingway 126). The mob-violence that is portrayed in that passage is one inspired by ignorance, weak wills, and alcohol. All through Pilar and Robert Jordan’s flashbacks, one cannot help but be overwhelmed with feelings of disgust towards humankind. These stories are not uncommon, either. Most of the people fighting against the fascists in this novel have similar stories. It is absolutely horrid to hear these anecdotes in which people tell in great detail how they saw their parents, siblings, cousins, and so ...
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must make a final stand in if for no other reason, to save his manhood. John Wain explains: "…To make a last stand—for if defeat is accepted in Hemingway’s world, humiliation and rout are not. His fictions present moments of violence, crisis and death, yet these become occasions for a stubborn, quixotic resistance through which the human capacity for satisfying its self-defined obligations is both asserted and tested. "Grace under pressure": This becomes the ideal stance, the hoped- for moral style, of Hemingway’s character." (Wain 233) This last stand is in no way rational, and in no way necessary in the normal person’s mind. To Hemingway’s heroes, though, this last ...
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For Whom The Bell Tolls. (2008, January 8). Retrieved April 16, 2024, from http://www.essayworld.com/essays/For-Whom-The-Bell-Tolls/77163
"For Whom The Bell Tolls." Essayworld.com. Essayworld.com, 8 Jan. 2008. Web. 16 Apr. 2024. <http://www.essayworld.com/essays/For-Whom-The-Bell-Tolls/77163>
"For Whom The Bell Tolls." Essayworld.com. January 8, 2008. Accessed April 16, 2024. http://www.essayworld.com/essays/For-Whom-The-Bell-Tolls/77163.
"For Whom The Bell Tolls." Essayworld.com. January 8, 2008. Accessed April 16, 2024. http://www.essayworld.com/essays/For-Whom-The-Bell-Tolls/77163.
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