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Futurism - College Term Papers

Futurism


During the first decade of the twentieth century, a group of young Italian painters united together, under the influence of poet Filippo Tommaso Marinetti. Before creating their new style, these painters embraced the ideas of Marinetti’s The Foundation and Manisfesto of which appeared in the newspaper Le Figaro on February 20, 1909 (Tisdall 7). His manifesto of was primarily concerned with peotry, but artists such as Boccioni, Balla, and Severini used his ideas and applied them to painting and sculpture.
The Museum of Modern Art holds Umberto Boccioni’s Dynamism of a Soccer Player, 1913, a fine example of the Futurist vision. In his Futurist Painting: A Technical Manifesto, Boccioni ...

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Before going further however, it is necessary to discuss some of the principles of as created by Marinetti.
Marinetti’s The Founding and Manifesto of is a work which begins like a work of poetry, and deals with the celebration with the technology, the future, and the machine, while rejecting the natural world and the past. Marinetti despises the sounds created by canals “muttering feeble prayers”, and “the creaking bones of sickly palaces,” while he embraces the “famished roar of automobiles” (Apollonio 19-20). He orders us to “shake the gates of life”, and instead, “test the bolts and hinges” (Apollonio 20). To Marinetti, technology and the machine, such as the automobiles, are to be embraced and celebrated for its speed and beauty. No longer is a natural landscape beautiful, rather “the world’s magnificence has been enriched by a new beauty: the beauty of speed. A racing car whose hood is adorned with great pipes, like serpents of explosive breath – a roaring car that seems ...

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PAPER DETAILS
Added: 2/7/2006 02:47:09 PM
Category: American History
Type: Premium Paper
Words: 981
Pages: 4

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