Haroun And The Sea Of Stories


Analyzing a Source That Pertains to
is a intriguing tale that could easily be classified as a children's story, but beneath its surface it shows one man's struggle to overcome censorship and religious persecution. Mark McDannald of Washington and Lee University has written a series of essays on this story. His work, "The Allegorical Defiance of Censorship in Rushdie's ," is an insightful critique on a major literary effort.
He views as an allegory that expresses Salman Rushdie's desire to battle censorship in the world of literature, while fulfilling his duties of being a good father to his son. Throughout his essays McDannald remains unbiased, favoring neither Rushdie nor the Fatwa in ...

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The hell and repercussions that censorship has visited upon Rashid, the author's fictional counterpart, are clearly meant to reflect Rushdie’s real world after writing The Satanic Verses. McDannald rightly identifies the extreme characteristics of the city of endless sunshine, the Land of Gup, and the Land of Chup, the city stuck in the middle of the night, as being allegorical. Gup and Chup are opposite sides of the moon, and through them, Rushdie
Mohan 2
hopes to define a middle ground, a compromise. Rushdie makes it apparent that neither city can thrive in an atmosphere of one solitary idea or belief. He successfully makes the case for openness and debate. His allegories attack censorship and the stunted world it creates, not merely its restraints on one man's life. He uses light and dark symbolically to vary the political entities in which the people of Gup and Chup live. In accordance with McDannald's interpretation, the situation as a whole is meaningful in the sense ...

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Added: 12/3/2008 08:14:52 AM
Category: English
Type: Premium Paper
Words: 599
Pages: 3

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