Japanese Animation

Thirty-five years ago, Japan’s entertainment industry found an answer to its problems. Still developing in the aftermath of defeat in World War II, and the subsequent restructuring plan instituted by the United States, Japan was without surplus resources. There was no money for the production of films. American films soon began invading the Japanese entertainment industry. Yet the Japanese people longed for entertainment which would reflect their own culture. And so “animation...developed in Japan to fill the void of high-budget film-making” (Marin, 69). In the years that followed, animation would take a pop-cultural foothold in Japan that has grown and transformed, and yet exists today. ...

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exploits, anime was created to entertain wider audience groups. Indeed, one might find difficulty in characterizing all anime together; the Japanese have viewed animation as a medium of creation rather a form of entertainment limited in audience and expression. Anime is included in a group from which the United States has traditionally banned animation; specifically, anime is considered a form of creative expression, much as are literature, modern art, live-action films, and other arts. A man by the name of Osamu Tezuka first envisioned animation’s possibilities in Japan in the 1960s (Ledoux, 1). Tezuka realized the power animation could lend to story-telling, and produced a myriad of animated films and television programs from which modern-day anime has made its genesis. At first heavily influenced by Disney’s animation, Tezuka’s animation soon transcended the confines within which American animation had placed itself. Tezuka can be credited today with being the first to ...

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animation of superior quality to anime? Comparing the patrons of these two groups of animation, Walt Disney and Osamu Tezuka is like comparing Rembrandt to da Vinci. Both pairs have been aknowledged as masters in their respective fields. Rembrandt and da Vinci were painters, Disney and Tezuka were animators. However, the creative processes of the individuals within each pair are vastly different. Like Rembrandt, Disney had a studio of artists; much of the animator’s work was produced by others under his limited supervision and then given his signature. Tezuka on the other hand, was a renaissance man like da Vinci; Tezuka produced all of his own work, and was a master of multiple topics ...

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Japanese Animation. (2006, February 25). Retrieved October 21, 2018, from http://www.essayworld.com/essays/Japanese-Animation/41802
"Japanese Animation." Essayworld.com. Essayworld.com, 25 Feb. 2006. Web. 21 Oct. 2018. <http://www.essayworld.com/essays/Japanese-Animation/41802>
"Japanese Animation." Essayworld.com. February 25, 2006. Accessed October 21, 2018. http://www.essayworld.com/essays/Japanese-Animation/41802.
"Japanese Animation." Essayworld.com. February 25, 2006. Accessed October 21, 2018. http://www.essayworld.com/essays/Japanese-Animation/41802.
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Added: 2/25/2006 04:59:40 AM
Category: American History
Type: Premium Paper
Words: 4250
Pages: 16

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