| John Dos PassosAlmost every one writer can say that they are influenced by their
 childhood and past. Memories flood back to them as they encounter a similar
 experience or similar situation in their earlier years. No doubt a
 significant factor in their writing, the past from a specific writer's life
 usually adds more depth and complexity to their works. Because these
 previous experiences are from the author's actual life, the scenes and
 subjects related to the theme are more accurate and realistic, and may even
 be more appealing to read. These past voices may appear either consciously
 through the author's works, or sometimes unconsciously, guided maybe by
 some early childhood memory. Well, whatever the ...
 
 
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 his parents were not officially married until in1910, he was considered "illegitimate" for about 14 years; this theme of
 alienation is found in many of his writings. Most of the time spent during
 his childhood was with his mother, who travelled abundantly, and this was
 the time where he grew closer to his mother and started to drift away from
 the man he called "dad". His travels with his mom led him to places such as
 Mexico, Belgium, and England. Dos Passos's association with France began
 when he was very young, and his knowledge of the language was quite
 thorough. Much of his French expertise is showed off in his works,
 including Manhattan Transfer.
 Dos Passos first attended school in the District of Colombia. As he
 grew up, he spent some of his childhood in Tidewater Virginia. He began
 attending Choate School where his first published writings were articles
 for the Choate School News. Upon completing Choate School at the age of
 fifteen, he entered Harvard University in ...
 
 
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 |   to American fiction. The themes ofthis novel are typical of Dos Passos's work: alienation, loneliness,
 frustration, and loss of individuality but Manhattan Transfer " was his
 first success at creating a 'collective novel' where a unifying theme is
 conveyed through multiple facets of character and situation." (Wrenn,32) He
 borrowed styles from Flaubert, Zola, Balzac, James Joyce, and T.S. Eliot
 and found many technical and artistic ideas in early twentieth century
 French literature.
 Taking segments of his life, Dos Passos intermingled it with his
 imagination to make Manhattan Transfer what it is. The autobiography is
 placed almost entirely within the life of a single fictional ...
 
 
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