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Is Joseph Conrad More Critical of Whites or Africans in Heart of Darkness? - Online Essay

Is Joseph Conrad More Critical of Whites or Africans in Heart of Darkness?

An essay arguing that Joseph Conrad is more critical of Whites than Blacks in Heart of Darkness

To the vast majority of Europeans of the 19th century, colonization was a noble cause that brought civilization, Christianity and culture to underdeveloped civilizations. Many Europeans believed that they were welcomed abroad and were improving societies in the name of God. Far ahead of his time, Joseph Conrad saw the hypocrisy with this thinking. In his novella Heart of Darkness Conrad is much more critical of the European characters than the native African characters. Conrad shows this in four different ways. First, he shows he is more critical of the Europeans than the Africans by ...

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is more critical of Europeans than Africans in his novella is because of how Conrad negatively portrays the European Pilgrims and praises the African Cannibals by depicting the Pilgrims as evil, ruthless and cruel aggressors who terrorize the Cannibals and Africans. An example of this is when Marlow, the Pilgrims and the Cannibals are ambushed by a group of Africans who attack them possibly on Kurtz's behalf or because they want to protect Kurtz. Using their superior weaponry, the Pilgrims inflict great casualties on the Africans, which lead one Pilgrim to say “ Say! We must have made a glorious slaughter of them in the bush. Eh?” (87). This is ironic because the Europeans of Marlow’s time most likely saw Africans are a warlike, savage people. However, Conrad shows that it is the European pilgrims carrying out and celebrating a massacre, which proves they are acting more warlike and more like barbarians than the Africans. The Pilgrims also show their cruelty when they make sure ...

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Kurtz's apparent mistress, and uses the following paragraph to describe her:

"She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was ...

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Is Joseph Conrad More Critical of Whites or Africans in Heart of Darkness?. (2012, August 31). Retrieved March 29, 2024, from http://www.essayworld.com/essays/Joseph-Conrad-More-Critical-Whites-Africans/101403
"Is Joseph Conrad More Critical of Whites or Africans in Heart of Darkness?." Essayworld.com. Essayworld.com, 31 Aug. 2012. Web. 29 Mar. 2024. <http://www.essayworld.com/essays/Joseph-Conrad-More-Critical-Whites-Africans/101403>
"Is Joseph Conrad More Critical of Whites or Africans in Heart of Darkness?." Essayworld.com. August 31, 2012. Accessed March 29, 2024. http://www.essayworld.com/essays/Joseph-Conrad-More-Critical-Whites-Africans/101403.
"Is Joseph Conrad More Critical of Whites or Africans in Heart of Darkness?." Essayworld.com. August 31, 2012. Accessed March 29, 2024. http://www.essayworld.com/essays/Joseph-Conrad-More-Critical-Whites-Africans/101403.
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PAPER DETAILS
Added: 8/31/2012 07:47:33 PM
Submitted By: crepplin169
Category: English
Type: Premium Paper
Words: 2371
Pages: 9

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