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Michelangelo - Paper

Michelangelo


was pessimistic in his poetry and an optimist in his artwork. ’s artwork consisted of paintings and sculptures that showed humanity in it’s natural state. ’s poetry was pessimistic in his response to Strazzi even though he was complementing him. ’s sculpture brought out his optimism. was optimistic in completing The Tomb of Pope Julius II and persevered through it’s many revisions trying to complete his vision. Sculpture was ’s main goal and the love of his life. Since his art portrayed both optimism and pessimism, was in touch with his positive and negative sides, showing that he had a great and stable personality.
’s artwork consisted of paintings and sculptures that showed humanity ...

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of the human striving for, and reception of, knowledge. The third level, it is assumed, was to have an effigy of the deceased pope. The tomb of Pope Julius II was never finished. What was finished of the tomb represents a twenty-year span of frustrating delays and revised schemes. had hardly begun work on the pope’s tomb when Julius commanded him to fresco the ceiling of the Sistine Chapel to complete the work done in the previous century under Sixtus IV. The overall organization consists of four large triangles at the corner; a series of eight triangular spaces on the outer border; an intermediate series of figures; and nine central panels, all bound together with architectural motifs and nude male figures. The corner triangles depict heroic action in the Old Testament, while the other eight triangles depict the biblical ancestors of Jesus Christ. conceived and executed this huge work as a single unit. It’s overall meaning is a problem. The issue has engaged historians of ...

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said, “Whoever strives for perfection is striving for something divine.” In painting nude humans, he is suggesting the unfinished human; each of us is born nude with a mind and a body, in Neoplatonic thought, with the power to be our own shapers. has a very great personality for his time. In Rome, in 1536, was at work on the Last Judgment for the altar wall of the Sistine Chapel, which he finished in 1541. The largest fresco of the Renaissance, it depicts Judgment Day. Christ, with a clap of thunder, puts into motion the inevitable separation, with the saved ascending on the left side of the painting and the damned descending on the right into a Dantesque hell. As was his custom, ...

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PAPER DETAILS
Added: 1/30/2004 01:23:38 PM
Category: American History
Type: Premium Paper
Words: 1582
Pages: 6

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