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Much Ado About Nothing - Paper

Much Ado About Nothing


Title illustrates a kind of deliberately puzzling title that seems to have been popular in the late 1590s (ex "As You Like It"). Indeed, the play is about nothing; it follows the relationships of Claudio and Hero (which is constantly hampered by plots to disrupt it), and in the end, the play culminates in the two other main characters falling in love (Beatrice and Bena*censored*), which, because it was an event that was quite predictable, proves to be "". The pronunciation of the word "nothing" would, in the late 16th Century, have been "noting," and so the title also apparently suggests a pun on the word, "noting," and on the use of the word "note" as an expression ...

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Leonato, Hero and Claudio); they often observe and overhear one another, and consequently make a great deal out of very little. Author The political and cultural events of the 15 century had a large influence on Shakespeare’s work. In , Don Pedro, Prince of Arragon, Don John, his brother, Borachio his servant, Bene*censored*, a young lord, and Claudio his best friend are all returning from war, and have been invited to stay with Leonato for a month. Shakespeare's antagonist Don John, bears much resemblance to Don John of Austria, the illegitimate son of Charles V, half-brother to the King of Aragon who defeated the Turks at Lepanto and returned to Messina after his victory in October of 1571. Don John of Austria had many of the qualities that Shakespeare's Don John did, he was not on good terms with his brother, and although he tried with much effort to gain status, he was frequently humiliated in attempts to bring himself fame. Shakespeare was known to draw parallels between his ...

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is deceived into thinking that Beatrice loves him because of the speech in the garden between Leonato, Claudio, and Don Pedro. Beatrice is sent to fetch Bene*censored* for dinner, and Bene*censored* notes "some marks of love in her[Beatrice]," (240-241) and he decides to take pity upon her and return her love. In Act III, Scene 1 Beatrice is deceived as she overhears Hero and Ursula talk of Bene*censored*'s affection for her. Beatrice then decides to allow herself to be tamed by Bene*censored*'s "loving hand," and return his love. Beatrice and Bene*censored* are made to fall in love through the deception of those around them, and ironically find happiness more readily than ...

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PAPER DETAILS
Added: 8/4/2006 04:36:53 PM
Category: English
Type: Premium Paper
Words: 3722
Pages: 14

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