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Poppy Field And The Ravine - Papers

Poppy Field And The Ravine

In the second half of the nineteenth century, impressionism became a revolutionary break through among radical painters in France. This new way of painting emphasized on the surfaces of the subject matter by utilizing color. Furthermore, impressionists had developed various styles of their own. Well-known artists such as Claude Monet and Vincent Van Gogh only had little to share in their search for the impression. In fact, chronologically, the former is classified as an impressionist and the later is classified as a post-impressionist. Both artists loved color. Monet’s emphasis was on the illusion of natural forms. Van Gogh as a typical post-impressionist, favored expressing his emotions ...

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Both paintings are about impression and color sensation. However, the approaches behind these paintings are quite distinctive. As a result, the contexts of the impressions portrayed are different also.
Compositionally, Monet and Van Gogh spread their landscape onto the entire page and centralized the page with a linear perspective. Their landscapes are surpassing the canvas and surpassing us, the viewers. We are in the image and are participating what the artist wanted us to be doing: looking forward, visually capturing this moment of seeing. In fact, this moment is so short-lived that it is passing by in front of our eyes. Monet’s painting is blurry, which implies that the participator is moving. To make it more believable, the bushes on the left and right are painted blurrier than the center path. It further indicates that the participator is moving straightforward on the flower path. Monet successfully captured the impression of this very moment of moving and seeing. Van Gogh ...

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Poppy Field And The Ravine. (2007, June 13). Retrieved May 2, 2024, from http://www.essayworld.com/essays/Poppy-Field-And-The-Ravine/66369

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PAPER DETAILS

Added: 6/13/2007 04:00:36 AM
Category: Arts
Type: Free Paper
Words: 961
Pages: 4

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