Riefenstahl's Triumph Of The Will: A Work Of Art



Leni Riefenstahl’s Nazi documentary, Triumph of the Will, although technically dazzling and artfully made, belies the sinister and inhumane actions of the Nazi regime the film celebrates. Triumph of the Will, a propaganda film commissioned by Adolf Hitler, documents a 1934 Nazi Rally in Nuremberg, Germany. The film inventively presents the rally’s grandeur: swastika banners waving gaily, thousands of German people on their tip-toes, eager to see and hear Hitler’s address. Triumph of the Will, under Hitler’s authorization and Riefenstahl’s direction, glorified and mysticized the Nazi party. The film was used to legitimize the Third Reich, thus garnering support for action by the German ...

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an attempt to show that great art like anything labelled great must first accomplish certain goals which include excellence in and impact of content and form Although Triumph of the Will is nearly great, its content and history cripple the art, demoting it to a great technical film and as an example of flawed talent. Triumph of the Will, though eloquent and innovative, fails to attain the status of great art because of the inseparable nature of content, form, and artist.
Although many artists wish for their works to been seen and judged as an independent entity from themselves, the audience has a tendency to relate the work of art in context to such things as a work’s historical background, its artist, and the personality or purpose behind the artist. Riefenstahl is no different, consistently separating herself from the political setting of the time. She documented, with determined passion, the Nazi party, but claims to have been completely unaware of Nazi military actions. Now in ...

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Riefenstahl’s personal film-making ambition and creativity not only lent credibility to the film but helped advance one of the most evil ideologies in earth’s history. An artist may want the audience to view the work unemotionally or without knowing the artist’s emotional state, but an emotional connection should form with either the artist or the audience and the work. For art to be judged without emotion undercuts the impact art truly has. A passionate and talented artist like Riefenstahl knows their work, form and content. Selected ignorance is not innocence. Riefenstahl can plea to have her work judged regardless of her background or emotional attachment to Triumph of the Will, ...

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PAPER DETAILS
Added: 9/8/2007 07:28:31 PM
Category: Arts
Type: Premium Paper
Words: 2249
Pages: 9

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