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Tripmaster Monkey - Online Term Paper

Tripmaster Monkey

Wittman uses theatre throughout the book “” to get back to his cultural roots and Asian culture. He is trying to find himself through theatre and to open up a new avenue for his people. There are numerous examples of this throughout the book as he is writing his play and incorporating the old (legends and myths) with the new (contemporary times).
The first significant reference to legend occurs when Wittman is putting his entire night’s worth of writing into the incinerator (42). As he does so, he reflects on the arrival of Monkey, Tripitaka and friends at the Western Paradise. They secure the sacred scriptures, and are on their way home to china when curious Monkey ...

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are obvious to him.
At another point in the book, Wittman recalls when the Monkey learns his position in Heaven (61). Monkey is ecstatic to have a place in Heaven, an important role to play, but once he realizes that his Appointment to Pi-ma-w_n really means ”shit shoveler for the Divine Horse Stables,” he quits Heaven and returns to the Monkey Kingdom. This is the role Wittman sees the Chinese stuck with: happy to have a role in the American community, but sickeningly disappointed when they find out how small and degrading that role really is. When he returns to the department store, he impulsively mates a toy monkey with a Barbie doll, reflecting his opinion of Mattel (64). This moment also allows Kingston to foreshadow with irony Wittman’s later relationship with Ta_a. Their relationship illustrates his insecurities about not being “American enough” unless he is dating a white woman—insecurity exacerbated by Nanci, his ...

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Tripmaster Monkey. (2006, June 29). Retrieved September 14, 2025, from http://www.essayworld.com/essays/Tripmaster-Monkey/48339

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PAPER DETAILS

Added: 6/29/2006 08:33:04 AM
Category: Book Reports
Type: Premium Paper
Words: 857
Pages: 4

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