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FEATURED ESSAYS
1. Johann Sebastian Bach - The Brand...
2. Bach; Brandenberg Concertos
3. Johann Sebastian Bach
4. Bach; Brandenberg Concertos
5. Johann Sebastian Bach 2
6. Bach, Johann Sebastian
7. Johann Sebastian Bach
8. Johann Sabastian Bach
9. Johann Bach
10. Johann Sebastian Bach
11. Johann Sebastian Bach
12. Johann Sebastian Bach
13. Johann Sebastian Bach
14. Johann Sebastian Bach


Johann Sebastian Bach

  Born: March 21, 1685
  Died: July 28, 1750
  Birthplace: Eisanach, Germany
  Age at Death: 65

Biography

Born at Eisenach, in Thuringia, he came of a distinguished musical family.
At 15 he became a chorister at Luneburg and at 19 organist at Arnstadt.
Subsequent appointments included positions at the courts of Weimar and
Anhalt-Kother, and finally in 1723, that of musical director at St Thomas's
choir school in Leipzig, where, apart from his brief visit to the court of
Frederick the Great of Prussia in 1747, he remained there until his death.
Bach married twice and had 21 children, ten of whom died in infancy. His
second wife, Anna Magdalena Wulkens, was a soprano singer; she also acted
as his amanuensis, when in later years his sight failed.

Bach was a master of contrapuntal technique, and his music marks the
culmination of the Baroque polyphonic style.

Important Works

Sacred music includes over 200 church cantatas, the Easter and Christmas
oratorios, the two great Passions of St Mathew and St John, and the Mass in
B minor. Orchestral music includes his six Brandenburg Concertos, other
concertos for clavier and for violin, and four orchestral suites. Bach's
keyboard music for clavier and for organ is of equal importance and
includes the collection of 48 preludes and fugures known as THE WELL-
TEMPERED CLAVIER, the GOLDBERG VARIATIONS, and the FRENCH and ENGLISH
SUITES.

Of his organ music, the most imporant examples are the choral preludes. He
also wrote chamber music and songs. Two important works written in the
later years illustrate the principles and potential of his polyphic art -
THE MUSICAL OFFERING and THE ART OF FUGUE.


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