20th Century Art at the Museum of Fine Arts, Houston
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This 3 page paper discusses 3 separate works housed at the Museum of Fine Arts in Houston. Bibliography lists 3 sources.
Filename: HVMFAHou.rtf

2D And 3D Art: Dimension Comparison
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5 pages in length. When one considers the fact that painters are two-dimensional artisans and sculptors represent three-dimensional art, one can readily surmise that while the two artistic modalities appear to have little in common with each other, the sculptor gains a significant amount of his craft from the presence of two-dimensional application. Even within the narrow boundaries of print art, the painter is able to transform his two-dimensional art into a three-dimensional creation with nothing more than a stroke of a brush. How is this possible? The writer discusses that for the painter this transformation requires only light; for the sculptor, the requirements are much more sophisticated. No bibliography.
Filename: TLC_2D.wps

3 Art Works/High Renaissance
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A 7 page research paper that examines three works, one each by Titian, Da Vinci and Michelangelo, as artists of the High Renaissance. Titian's Assumption of the Virgin, Da Vinci's Last Supper, and Michelangelo's Sistine Ceiling are briefly discussed in relation to the artist's perspective and within the context of the period. Bibliography lists 7 sources.
Filename: kh3arthr.rtf

A Color Proposal: Additional Study of Mataisse, Kandinsky, and Delaunay
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(5 pp) We are reaching a conceptual time when the exploration of the possibility of teaching components of creative thinking, through the use of color, to those who do not see that factor in themselves, but wish to learn it, either for personal gratification or career improvement. Through the additional study of these dramatic colorists, we would be able to not only tap into those who are visual learners, and do not perceive themselves as such, but would also be able to document the place of these artists in the history of the use of color in basic creativity studies, psychological studies, and potential work environments, and their color implications. Bibliography lists 7 sources.
Filename: BBcolpro.doc

A COMMENTARY AND COMPARISON OF S,M,L,XL AND REM KOOLHAAS:
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This 16 page paper details the events that brought the work of Koolhaas into the limelight, how his theories have expanded the perception of architecture, and how he has managed to bridge the gap between disciplines. This paper discusses globalization, moderism, and Koolhaas' visions for the architechture of the future and the present. A review of the book S,M,L,XL is given as well as examples of his work, which are studied in length. Bibliography lists 7 sources.
Filename: mbkoolhaas.rtf

A Comparison of a Painting and a Woodcut: Burne-Jones and Degas
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A 5 page comparison of Degas’ “Woman Seated Beside a Vase of Flowers” and Burne-Jones’ “Chant d'Amour” (“The Love Song”). The author emphasizes that Degas’ painting is less complex in terms of its subject matter than Burne-Jones’ woodcut but that Degas relies on color and contrast between shape to accentuate his image while Burne-Jones’ incorporates graphical detail and more subjects as integral elements. No sources are listed.
Filename: PPartCr2.rtf

A COMPARISON OF CAMPIN’S ‘THE ANNUNCIATION’ AND ‘HOLY TRINITY’ BY MASSCCIO
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This 5 page paper compares and contrasts Campin's Annunciation to Massccio's Holy Trinity. Examples given. Style, content, religious symbolism analyzed. Bibliography lists 5 sources.
Filename: MBrenart.rtf

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