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Papers On Film & Television
Page 4 of 262
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The Historical Accuracy Of Francis Ford Coppola's Apocalypse Now / A Modernist View Of The Reality Of The Vietnam War
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This 8 page paper considers the issue of the historical accuracy of the depiction of the Vietnam War era as a whole as well as specific events presented in the film Apocalypse Now. Though critics have argued that the film presents one of the most emotionally and socially accurate views of the Vietnam War, and even though the film also presents some historical context which is factual, it can be argued that the actual events of the film do not appear to have a substantive base in historical factuality. Bibliography lists 7 sources.
Filename: Apocalno.wps
The Vietnam War - as Told to Movie Audiences - 'Coming Home,' 'Good Morning Vietnam' and 'Born on the 4th of July'
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This 7 page report discusses three Vietnam War movies in the context of their symbology and the ways in which they represent the attitudes of Americans directly involved in the war and those presenting their cinemagraphic viewpoints of a war that did not have the simplistic good guy against bad guy scenario. By the late 1980s, both television and movie producers had become willing to consider Vietnam as a useful and marketable topic. Ironically, and more than probably - accidentally, America's artistic involvement in Vietnam has mimicked its military presence there. Bibliography lists 7 sources.
Filename: BWnammov.rtf
'The Real Malcolm X': TV Presentation
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A 5 page paper which analyzes the
presentation of the movie 'The Real Malcolm X,' which was a CBS television program
designed to investigate who Malcolm X was, what he stood for, and what he represented
to many citizens of the country, if not the world. The paper examines how the movie
presented Malcolm X, how they portrayed the Nation of Islam, and how the movie
generally addressed all the issues that were of importance to Malcolm X and his followers.
Bibliography lists 3 additional sources.
Filename: RAmalxcbs.wps
Film Analysis / 'Homicide'
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A 6 page analytical discussion of the film 'Homicide' in which writer and director David Mamet explores the emotional struggle of a detective who, in addition to fighting crime, must confront the reality of his own 'Jewishness.' Several examples of Mamet's use of symbolism are presented as well. Bibliography lists 2 supporting sources.
Filename: Homicide.wps
'The Trial' / The Movie
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A 5 page study of Orson Welles' film based on Kafka's famous novel. Special attention is given to the relationship between sexuality, impotence, and power. No bibliography.
Filename: Trialmo.wps
Francis Ford Coppola's 'Apocalypse Now'
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5 pages in length, this essay examines the influence of Joseph Conrad's 'Heart of Darkness', Friedrich Nietzsche's 'The Birth of Tragedy', and Sir James Frazer's 'The Golden Bough' on Francis Ford Coppola's film 'Apocalypse Now'. Outlined are the many parallels between 'Heart of Darkness' and 'Apocalypse Now'. Bibliography lists 6 sources.
Filename: LCApocNw.doc
Heart of Darkness & Apocalypse Now / Comparison and Contrast
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In 7 pages, the author discusses compares and contrasts 'Heart of Darkness' by Joseph Conrad, and 'Apocalypse Now,' a movie loosely based on the novel. Bibliography lists 7 sources.
Filename: PChdan.doc
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