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Avant Garde Cinema Essays and Term Papers
WavelengthBy Matej Jancar
Wavelength (1967) is a continuous forty-five minute zoom from its widest field to its smallest and final field which rests on the photograph of ocean on the wall. The camera is motionless and is facing far side of eighty foot New York loft with windows. There are four human ...
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Abstract ExpressionismEssay Title
What would you judge to be the most significant decade or era in fine art or design in the 20th century and why?
Abstract Expressionism - 1940 – 1950
Contents Page
1. Essay Title
2. Contents Page
3. List of Illustrations
4. Introduction (Beginning of essay)
5. The ...
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Cinematography: Everything You Need To Know(sin-uh-muh-tahg'-ruh-fee) Cinematography is the technique and art of
making motion pictures, which are a sequence of photographs of a single
subject that are taken over time and then projected in the same sequence to
create an illusion of motion. Each image of a moving object is ...
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Cinematography Everything You Need To KnowCinematography: Everything You Need To Know
Cinematography is the technique and art of making motion pictures, which
are a sequence of photographs of a single subject that are taken over time
and then projected in the same sequence to create an illusion of motion.
Each image of a moving object is ...
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Man With The Movie Camera: Shot Change Constructs A New PerspectiveAvant Garde Film Midterm
11\3\95
Question #4
Time was used by Vertov as an important factor in editing as well as in
the daily lives of humans.
With editing he utilized the essence of time to his advantage. Vertov
wanted a certain rhythm of cuts to exist in the movie. He desired a ...
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Yasujiro Ozu (1903--1963)In the film industry nobaody (except avant garde filmmakers) has
developed a style as different as Yasujiro Ozu. He said of his own work,
" I have formulated my own directing style in my head, proceeding without
any unnecessary imitation of others". His films are like experimental
films, but on ...
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A Review of Jean Paul Sartre's No ExitBoth the audience and critics of Jean Paul Sartre's contemporary masterpiece, No Exit (Hois Clos), were disturbed by its insensitive characters when it was first produced on stage in 1944. The underlying message, spoken by the only male character, Garcin, was the unsettling factor - that hell is ...
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