Analysis Of Chris Marker's "La Jetee", And Roland Barthes's "Camera Lucida"



When I began to look at the relationship between Chris Marker's
film, La Jetee, and Roland Barthes's book, Camera Lucida, I was thinking
only about their most obvious link: photography. The more I looked, though,
the more Marker and Barthes seemed to have in common. It was almost
uncanny. Some things had to be twisted a little, but the strangest sort of
interplay between the two works seemed to be happening, and it felt as if I
were the first to discover it. For example, the first lines in the film, “
This is the story of a man marked by an image from his childhood”, coincide
amazingly well with Barthes's story, branded by the image from his Mother's
childhood, and subsequently his ...

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Now, obviously there are some answers to
this question. Marker's film is of course largely about photography
because it is largely photography. However, in many ways it also defies
classification. We have a series of heterogeneous photographs. There is
nothing to separate them out from any other photographs that one might find
in the world, except that they are given a narrative. Suddenly... a film
is created. Yet, I would propose that the soul of Marker's film is ...

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PAPER DETAILS
Added: 7/16/2006 05:09:10 AM
Category: Book Reports
Words: 5041
Pages: 19

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