Rahotep And Nefret

The Statues of Rahotep and Nefert
The first thing that strikes an observer of these two statues is the excellent condition they are in. The paint on the two figures, Rahotep and Nefert, is extremely well preserved and there is only a miniscule amount of perceptible damage. Rahotep, who is seated on the left, retains the air of nobility and grandeur that a king’s son and high priest would have undoubtedly enjoyed during his lifetime. His wife, Nefert, sits adorned with an intricate wig and headband that match her bright jewelry and indicate her elevated social status. Together, the figures complement each other perfectly and provide a valuable glimpse into the world of non-royal ...

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it is supposed to convey a sense of power and prevent breakage. The two figures also exhibit frontality, an attribute shared by the vast majority of three-dimensional Egyptian art. They are both facing perfectly straight ahead and are not looking at each other or to the side.
Both Rahotep and Nefert are roughly the same size and are seated in almost identical high-backed chairs with footrests. Rahotep wears a very plain kilt and a small amulet around his neck. He has close-cropped hair and his face is adorned with a thin mustache. He has broad shoulders and muscular arms and it is worth noting that his right arm is held across his chest while his left rests on his thigh. In this respect he resembles Djoser, but the horizontally held arm goes out of fashion later in the Fourth Dynasty. The biggest contrast between Rahotep and his wife is the color of his skin, which is almost the color of clay. In the majority of limestone statues, the husband is portrayed as having ...

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Rahotep And Nefret. (2004, May 11). Retrieved March 19, 2019, from http://www.essayworld.com/essays/Rahotep-And-Nefret/7656
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"Rahotep And Nefret." Essayworld.com. May 11, 2004. Accessed March 19, 2019. http://www.essayworld.com/essays/Rahotep-And-Nefret/7656.
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Added: 5/11/2004 04:54:21 PM
Category: American History
Type: Premium Paper
Words: 943
Pages: 4

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