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Stan Kenton & His Orchestra - Papers Online

Stan Kenton & His Orchestra


Born December 15, 1911 in Wichita, Kansas, Stanley Newcomb Kenton grew up in Los Angeles, California. Sometime around the age of 8, his mother, Stella, a traditionally-trained musician noticed her son's irrepressible aptitude for the piano and became his first teacher.
It wasn't long, however, before she realized he was graced with more than a natural gift for the keyboard and arranged for him to take lessons on the trumpet and alto saxophone from a local schoolbandmaster, who quickly noticed his ambitious, lanky prodigy had a talent to be reckoned with.
It soon became apparent to everyone young Stanley came in contact with that the intricacies of harmony, theory and counterpoint came ...

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and theaters. At night he paid his dues in a succession of after-hours bars, clip joints and five dollar-a-night speakeasies prevalent throughout the depression-era southwest until he was able to assemble his own 14-piece orchestra in June of 1941. A dominant characteristic of this relatively small Kenton Orchestra was the choppy, staccato manner of phrasing that was especially noticeable in the writing for the reed section. In retrospect this continues to emerge as one of the most readily identifiable of all the Kenton ensembles. His early piano voicings, slightly reminiscent of ones used by the great percussion pianist, Earl 'Fatha' Hines, gradually found their own distinctive style when he reshaped his chord patterns and began adding augmented and diminished 5ths, 9ths, 11ths and 13ths, which in no time began showing up in his arrangements.

Much of the original library, written by Stan, permanently changed the sound of big bands. Fiery, stratospheric brass, punctuated by ...

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Jazz club, Birdland, became enamored with the Orchestra's roaring, precision sound and helped make it one of the most successful attractions in the entertainment industry. In June of that year he filled the Hollywood Bowl with 15,000 people and sold out a midnight Carnegie Hall performance which included 300 seats placed on stage alongside the Orchestra in an effort to help accommodate the overflow.



Long before the Rock phenomena overtook the United States the Kenton Orchestra was obligated to keep moving to larger venues in order to accommodate its ever increasing number of enthusiasts who thought nothing about traveling hundreds of miles in order to listen to the band for ...

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Stan Kenton & His Orchestra. (2008, April 23). Retrieved March 29, 2024, from http://www.essayworld.com/essays/Stan-Kenton-His-Orchestra/82563
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PAPER DETAILS
Added: 4/23/2008 08:42:51 PM
Category: Music & Musicians
Type: Premium Paper
Words: 2955
Pages: 11

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